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Buzz
About WUT's CD, Ground Hog Day:
"…We have here a nice mix of tunes and
songs by a talented group steeped in the Appalachian music tradition.
" read
the full review
Lyle Lofgren, Old Time Herald, February 2006
"Groundhog Day opens with "G Rag" from the playing
of Earl Johnson and his Clodhoppers. It is a rollicking tune featuring
Pete's fingerstyle banjo and Randy's slinky fiddle. "I Know My Name
is There" follows, from the playing and singing of DaCosta Woltz's
Southern Broadcasters. Pete and Kellie's vocals have just the right
ragged quality necessary for authenticity. "Georgia Wagoner" and
"Hell Among the Yearlings" are great fiddle workouts for Randy.
"Forgiveness" is a new song from Sarah Hawker of
the Lonesome Sisters with Kellie's plaintive vocals and Dobroist
Peter Szego's Bashful Brother Oswald-style weepy steel. Holiness
music is also represented with "When the Moon Drips Away Into Blood."
Waking Up Tille has done a fine job of reestablishing styles of
music just being rediscovered by old-time players. "
Sing Out!, Winter 2006
"Anyone who enjoys authoritative old-time music will
definitely appreciate this particular little treasure… 'Ground
Hog Day' is an invigorating offering of old-time music from Waking
Up Tillie."
Bluegrass Unlimited, November 2005
"Randy Johnson has found something new to say about the often-discussed Georgia Wagoner and several other old tunes. Pete Peterson is always finding something new to say on his Charlie Poole banjo. And Kellie Allen just finds something new to say: she lets her voice do the talking."
Bill Moffett, Country Corner, WCOJ-AM
"Ultra clean picking, right on harmonies, and pure fun!"
Stew Schneider, WMMT's Dutchman at 88.7 in the coal
fields, appalshop.org on the net
"There are fascinating tracks in this collection
which I've not heard before, as well as some more familiar material,
so it all makes for a most entertaining album. The musical selections,
performances and arrangements are all of a high standard and the
sleeve notes are interesting, relevant and readable. Congratulations
on a most enjoyable new CD."
Bruce Cameron, 'Come All Ye,' Radio 2MCE-FM, Bathurst,
NSW, Australia
"Marj and I love it, and our kids aren't too sick of hearing it, either. Great blend of voices,
great tune and song selection, a real party for the ears!"
Jim Mullany
"Nice combination of musicians and material…
great stuff!"
Gail Gillespie, Editor, Old Time Herald
"LOVE IT! It sounds REALLY OLD-TIME, all-round.
Excellent. Yes!!"
Kathy Shimberg
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Photo by Linda Erday,
DVM |
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Contact: kellie@wakinguptillie.com
T: 267-879-7967
Waking Up Tillie, 127 W. Locust St., Oxford, PA 19363 |
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About Kellie Allen:
"She has one of the strongest voices in
the old-time music scene today. Her tone, vocal dexterity
and phrasing are right at the top. Her guitar playing is exactly
right to my ear. Her playing resembles the playing of the
Skillet Lickers' wild guitarist Riley Puckett, but with good
taste – Kellie will use complex, often chromatic, bass
runs to move from one chord to another, bringing out the melody,
not competing with it."
Old-Time Herald, Winter 2004-05,
On-line Bonus Review of Orpheus Supertones CD, Bound to
Have a Little Fun
"Allen's voice has the flinty, emotional
immediacy and power associated with outstanding traditional
singers such as Ginny Hawker and Hazel Dickens…"
Old-Time Herald, Summer 2003, Review of Well
Tempered String Band's eponymous CD
About Pete Peterson:
"While others were learning the banjo
styles of Tommy Jarrell, Kyle Creed and Fred Cockerham, Pete
was channeling Charlie Poole. His knowledge of this music
is encyclopedic. He also plays guitar like many of the old-timers,
with a thumb pick and brushing fingers. His primary banjo
style is three-finger picking, but more a cross between classical
technique and clawhammer, at least in effect. It allows him
an enormous amount of variety in playing old-time tunes and
songs, and he takes full advantage of it."
Old-Time Herald, Winter 2004-05, On-line
Bonus Review of Orpheus Supertones CD, Bound to Have a Little
Fun.
"Pete Peterson (known to festival goers
as a walking song encyclopedia) is a skilled exponent of classical
and Charlie Poole-influenced fingerstyle banjo with several
recordings to his credit. He is also a sensitive accompanist
on guitar."
Old-Time Herald, Summer 2003, Review Well
Tempered String Band’s eponymous CD. |
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